"Japan's delay" that highlights at the production site of Netflix
Inviting "a lack of expertors"
Career structure problems

"Japan's delay" that highlights at the production site of Netflix Inviting "a lack of expertors" Career structure problems

Netflix initiatives for creating works in Japan

Haruka Miyagawa: Hello everyone.My name is Miyagawa, a team called Netflix's production technology.First of all, I would like to introduce a simple self -introduction.I have been working on workflows that can be used by Japanese people with overseas products used in video production, and for many years.

Netflixの制作現場で浮き彫りになる「日本の遅れ」
「専門性の高い技術者不足」を招く、
キャリア構造の問題点

I joined Netflix in 2016.Currently, it is a department that supports production video and audio techniques, and as an Asian leader, we are engaged in various efforts to improve the quality of works with team members in Japan, South Korea, India, and Southeast Asia.

Today, based on my experience so far, I will talk about the theme of "Netflix's technical initiatives for the best work creation" in Japan.

Recently, the number of people who think "Netflix is an original work" has been increasing recently, and I'm happy.In 2016, when I joined the company, it was a year that changed from limited distribution to 10 countries to more than 190 countries and regions around the world.Until then, I was working on original works in the United States, but since 2016, I gradually shifted to a global production.

As a mission of our company, it is nothing more than entertained entertainment fans around the world.The Korean work "Ika Game", which was distributed at the end of September, has been the world's most watched work that has been enjoyed by more than 140 million households, and has a great achievement as an Asian work.。